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Tag Archives: Nathaniel Dorsky

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It is the end of the year according to old Papa Gregory, whose astrologists jiggled the anomalies of the existing calendar and came up with a special one just for him, with which we’ve been shackled the last 400+ years.  So another New Year is here, and in turn the promptings to summarize the one past.  Here’s anecdotal evidence of mine, mixed in with other items of personal note.

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The above were mostly done while recuperating from this, a disk extracted in April, requiring some horizontal time and afterwards some physical therapy, done in Matera, and then Ginosa, in the south of Italy.  Thanks to their medical system this did not bankrupt me, indeed hardly costing a thing.  Grazie, Italia.

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And then endless photography, of which here’s a very tiny sample:

matera-collage-trans-march-25-sky-copy-sm-smCollage of Materadsc01460-sm

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And being of that age, some friends slipped off the planet, at a distance, and discreetly, so saying, “So long, it’s been good to know you” wasn’t an offer circumstances gave.  Wish I could have.

pat-kelleyPatricia Kelley111photoPeter Hutton

On a happier frequency this year saw some nice things for people I know.  Friend Edoardo Albinati won the Premio Strega here in Italy, the highest literary award Italy has to offer, so in the company of Cesare Pavese, Primo Levi, Umberto Eco, Elsa Morante, Alberto Moravia, et al.  Not bad company.   The book has a mere 1,250 pages, of which with my limited Italian I have so far read 250, which is more pages of a novel than I have read in the last 20 or 30 years.  I will finish it in the coming months, as my Italian is taking great leaps forward for taking the effort.  And as the book is quite interesting, it isn’t hard work, but a pleasure.

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586Edoardo Albinati

The other oblique pleasure is that Nathanial Dorsky in the last year and more has been trotting around the globe for screenings of his work.  In Spain, Portugal, France, the USA and elsewhere.  As Nick’s films are remote from the commercial world, and he has never done the film-biz hustle and promotional stuff, it has been a joy to see the world, as it were, come to his door.  His work is as deep as his modesty.

rembrandtnathanialNathaniel in Rembrandt Laughingdd-hilite17_art_0502364875

nathaniel-in-museum Nathaniel Dorsky

Finally closed in on finishing one film, Muri Romani II, an HD new version of the 2000 film of same title, minus the “II”.  And shot and am working on another film, Manahatta, hoping perhaps to wrap it up in the coming year.  Also editing Piccoli Miracoli, shot way back in 1996-2001, of my daughter Clara when I was raising her; hoping to finish by May.  And Marcella is editing Again and Again, a long documentary shot 5 years ago, which should end up as two films, one 80 minutes or so long, the other perhaps 3 or more hours. It’s about Korean choreographer Eun mee Ahn, as she develops a new work.  Aiming for a March finish for the shorter version, longer one by summer.

muri-panelMuri Romani II

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ballerini-compagnia-1 Again and Again

Along with these things, did a lot of writing, mostly for my blogs, listed at the end of this, which also have many photos, and other things, if interested.

manahatta-1-still044Manahatta

Moved to Italy in late February, we were in Matera and Ginosa until October, and then moved to Caucana, Sicily – near Ragusa – living a 3 minute stroll from a nice beach.  I went walking on it most days, where it offered up quiet little philosophic pages for me to contemplate.

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For the coming year we’ll move back to Ragusa, a small but very nice apartment in the center of the city. We think to stay 6 months – Marcella to work on Bojagi and other sewing projects, and finishing the editing on Again and Again.  She’s also shooting a film on several musicians she met, perhaps a documentary portrait.  I hope to finish editing on the films mentioned, and if the spirit strikes, perhaps shoot some kind of long film there, with local people.  Also to paint/draw and lay out a book of poetry and several photo books – maybe to have on-line.  If the plot works out, we hope to head to a festival in Korea at the end of summer, and then on to Japan for one there. Then to the USA to travel 6 months seeing friends, doing screenings, and shooting more for a film essay.   Perhaps a swan song.

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Best for 2017 !!

Blogs:

www.acinemafornone.wordpress.com
www.cinemaelectronica2.wordpress.com
www.cinemaelectronica.wordpress.com
www.jonjost.wordpress.com
www.americanplainsongs.wordpress.com
www.paginasparaclarinha.wordpress.com
www.paginasparaclarinhavol2.wordpress.com
www.jonjostcomingtoterms.wordpress.com

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Website:

Gary Beydler, 16mm film, Hand Held Day (1970)Trader, NY Stock ExchangeForeclosureRustbelt, DetroitTornado, Grand Island, NebraskaMitt Romney and Rick Perry, Presidential aspirantsNina Mannering, killed at 29 in meth’ed out Ohio townMap, Jasper JohnsAttica State Prison, New YorkOccupy, SeattleOccupy, OaklandTodd Morten, Scott’s Bluff, Ne.Hank Williams
George Kuchar, 1942-2011Paramount Cinema, Oakland, Ca.

Rupturing through the slick apathy of corporatized America, where last the semblance of public utterance was underwritten by the Koch brothers in the form of the Tea Party, this autumn found another voice.  Unlike the AstroTurf patriots of the tri-corner hat costumed shills of wealth, whose origins were transparent in their corporate logo mass-produced placards, the Occupy Wall Street movement – triggered by the example of the Arab Spring, fueled with Twitter and Facebook and ironically their corporate heft, as well as seeded by the Canadian anti-corporate magazine Adbusters – is instead truly a grass-roots phenomenon, as signaled in their simple hand-made singular signs.  Willfully lacking “leaders,” the Occupy movement has baffled our “authorities,” be they of the government or pundits representing the ruling class, all of whom take hierarchical order as a natural state of affairs and cannot comprehend its absence.   At its outset, occupying Zuccotti Park in New York City, OWS was seen as a brief quirk, a small cluster of mostly college kids camping in downtown Manhattan.  Palin’s “lame-stream” press did its best to ignore them, in a manner tipping its corporate hand:  when the Tea Party entered the scene the coverage was instant and massive.  But of course, hidden behind the screen, it was their party, supporting corporate interests.   OWS was certainly not theirs, and in the classic Pravda style of the good old USSR, if they didn’t report it, it wouldn’t exist.   And so the major media of America issued its black-out fatwa, very much as the Mubarak regime had done, and officially Occupy Wall Street vanished from view.  But, just as in Egypt, the internet provided the mechanism for an end-run around the the views of officialdom, and rather than withering in a matter of days, variants of OWS began to pop up around the country.  Flummoxed, authorities applied their usual remedies:  police were used to cordon and attack, rules were suddenly applied or invented.  And yet with each maneuver of suppression the movement gained support and within a short period, despite repeated attempts at official suppression and ridicule from the punditry, Occupy Wall Street managed to gain from 47 to 70% favorable polling (depending on which), and the national conversation drastically shifted from discussing how to slash Social Security or Medicare, into  discussing how it was that 1% of the population sucked up most the wealth, had bought the government and the press, and had pretty much ruined things for the 99% below them.  All in six weeks.  Without a “leader.”  Without a talking-point agenda.  Without going on one of the TV network talk shows, or Sunday morning political platforms.  Without all the requisites of corporate dictated politics.

Whether in its current form Occupy manages to survive, or develops into a potent political force, it can reasonably be said that it has already been a massive success in articulating the rage underlying our political and economic system.   Without presenting a platform or a list of requested demands, it has made clear that our economic system is utterly out of balance and does not serve the larger public, and it has pointed the finger at the Masters of the Universe who occupy the suites of Wall Street and K Street, and dictate to our corrupted politicians – from Barack Obama to Mitch O’Connell and on out to the far-right extremes of those presently running for the Republican nomination.   In changing the national conversation from the bullet points of neo-liberalist economics and neo-con foreign policy, it has made a major contribution already towards correcting the insanity which has engulfed our national politics.

Governor Scott Walker, Wisconsin

George Kuchar sees the futureScott Olsen, Iraq war vet attacked by Oakland policeFrom Nathaniel Dorsky’s “The Visitation”