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Above photographs by William Farley

As an habitual traveler, someone who’s lived in a long line of cities and towns (and country), each long enough to call it “home,” I have an equally long string of friends spotted around the world.  Most of them, settled unlike me, have lives like most people centered on a cluster of nearby family, friends, work associates.  In consequence it’s me who does most of the maintaining in these scattered relations – I write, sometimes I probably seem to badger, I drop by once in a while, sometimes in a very long while.

Owing to the tenuousness of these relationships I have the pleasure of being surprised  – seeing how we change with age, or in some cases, seem not to.  Some of these friends are artists, or writers, or otherwise creative sorts.  Some not.   In the long absences they do things I don’t get to see, so visiting often includes the joy of seeing what they’ve been up to – photos or paintings, or things written, or films made.  It is I think a kind of pleasure that those who see them more often don’t get – a little explosion of happiness in seeing the pent up work of a friend.  Kind of like an little emotional earthquake, but positive.

So I’m going to start a little series here, posting some things gathered from friends – maybe old, maybe new, but tracings of their lives through their work.

The above photographs are by William Farley, whose website has more information on his work.  I met Bill long ago, we both don’t seem to recall – maybe 1980 or so, and probably through our mutual friend Rick Schmidt (of Feature Length Films for Used Car Prices fame).    At the time I was living in the Bay Area and I’d see Bill once in a while at a screening, or at one of Rick’s croquette games.  I can’t say Bill and I were close friends, but we were friends.  He was a filmmaker, at the time one of the Bay Area’s better known independents, with a nose for what was going on in the cultural world.  One of his earlier films had Whoopie Goldberg back before she became well known.  Since I left the San Francisco area back in 1993 we didn’t really correspond, though here and there I kept in touch, and if I recall properly the last time I was through – some 5 or 6 years ago – I went by his offices down on a pier on the Bay.  Recently he sent me a commissioned video piece he did on an older artist there, Elaine Badgely Arnoux.  It was very nicely done, though of course constrained a bit by the purposes of the commission.  Along the way he also pointed me to the above photographs, a series titled Fog@Night.  I found these quite stunningly beautiful, and it made me wonder why in the past he hadn’t done his own camera work on his films. (He had done so on some earlier short works.)   And looking at these, I find myself wishing to see a film of such imagery.  Something without a story, simply tonality and mood.   How about it, Bill?

You can see all the photographs in this series and other information about William Farley at his website.  High quality prints are available for sale if interested.



  1. Hey Jon Jost,

    I read your story in the NYTIMES.

    You are dead right.

    And a mean photographer.

    Good luck

    • Don’t know which pics u mean – I post some of mine, but most are not mine but off net or in the “Friends” ones those of my friends. More to come.

  2. Jon,

    Your story today in the NY times tore my heart out – especially the part about the 22 year old kid who you tried to sponsor, but the system sucked into its mean vortex… Did you see the link to the story about the Finnish prison system?:,

    what a contrast to our own.

    I love your website and pictures.

    All the best,

    Stuart Coleman
    Orange, CT

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